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Digitizing
a B&W Negative While Preserving Its Subtlest Textures
Alain Oguse
alain (at) oguse.frAlain Oguse - March 2025
My Adventure with Point Light and Some Ensuing Elucubrations
Trained in professional black-and-white printing in one of the best
Parisian N&B labs in the 1960s, I sought to achieve the best
possible results when digitizing 135 negative films. However, I was
disappointed with the results I obtained using the various processes I
tested. Digitization with a DSLR seemed to be the most promising
technique, yet something wasn't right...
I am not an optics expert. Therefore, one might legitimately
question the validity of what I present on this subject. I
have only my solid experience and the "eye" I gained from it to
support my claims. I wanted to base my approach on the most
enlightening sources I found and my ability to evaluate the results of
my tests. Thus, through the story of my adventures, I hope to show how
I understood the physical principles of light and optics and why they
often lead to disappointing results when digitizing silver negatives.
Thus, my research on the web allowed me to discover that the cause of
my disappointments was the diffuse light, which is nonetheless used,
more or less discreetly, by all processes. Point light thus became the
only recourse possible, even though it is well established that its
use is not without drawbacks. Would I be able to master it?
Spoiler alert: Yes! But it's not a simple and quick solution.
However, what a pleasure to obtain A3+ prints that I don't have to be
ashamed of ;-) Here are the videos of the opening of two
exhibitions of photographs by François Huchet using collimated point
light.
-
https://www.youtube.com/watch?v=DcqbX-MB-bU
-
https://www.youtube.com/watch?v=IzIiosSaSm4

Format ≈ 4x6 cm



Full Version
So here's a complete version of the story of my adventure, in which I recount my trials, the prototype, the results, my thoughts, and some personal anecdotes. I hope it will help or give ideas to some. Qptical connoisseurs will easyly improve and, above all, simplify this prototype to make it a more convenient tool.
Available only in ➔ PDF (en) - 58 pages - (39 Mo)
You might prefer the technical excerpt below, which sticks to the technique and results in images.
Partial version - Technical Excerpt
Partial version below in HTML or here in ➔ PDF (en) - 34 pages - (10 Mo)
- First Part: Towards
a Prototype
Towards a Prototype
A disappointing first attempt
Understanding the issues
What role does diffuse light play?
A prototype and its optical principle
Theoretical and "pragmatic" schematic of the prototype
Necessary equipment
Settings
- Second Part: Results
and Improvements Results in images
Initial results with a white LED
Results with a green LED
And yet there remains a problem
Final assessment in a few images
An example with white LED
An example with green LED
In conclusion